For those working alone and mostly on headphones or mostly on speakers this could be less important than some other things, but as a rule of thumb this is not a great area to compromise on. It is also important that you can adjust the volume on speakers and headphones independently. Number of outputsĪt the very least you want your interface to have outputs for a set of studio monitors and a pair of headphones. In other words, an interface may have two inputs (one XLR, one line) and you will only be able to plug one microphone into it, or it can have two combo inputs and you can plug two mics or two keyboards into it.įor microphones (more on this later) it may be important that your interface provides 48V phantom power but almost all of them do nowadays. One aspect to lookout for is whether the interface has combo inputs accepting both XLR (microphone) and jack (instrument) inputs, or dedicated inputs for each. We are focusing on computer musicians here, so 1 or 2 should likely be enough for most of us. But if you plan to record a whole band live then even 16 may not be enough. If you plan to record your own vocals and maybe an electric guitar, then one input could be enough (unless you plan to record both at the same time). There are some audio interfaces that don’t have any inputs but those are rare. Number of inputsĮnvision how many audio sources you plan to record simultaneously (key point) and that’s the number of inputs you want to have. Let’s talk about some things that you don’t want to miss in your first interface. Luckily, plenty of entry-level audio interfaces are solid enough even for professionals and should get you quite far for a $100–200 investment.įocusrite Scarlett 2i2 - one of the most popular entry-level audio interfaces.
Things to look for in an entry-level audio interfaceĪs with everything we are covering in this book, I suggest you start with good but modest equipment, figure out what you are missing (if anything) and only then spend extra on the higher-grade gear. The next couple of sections are for those who after going through the flow chart above concluded that they need an audio interface after all. Note that it’s likely that you can get the same DAW with a controller. In the second case, you may want to get that interface even if it doesn’t provide any direct value to you at this point in time. In the first case, getting an audio interface won’t improve anything in terms of recording through your microphone. Some borderline situations are when you have a fairly decent USB microphone or, on the opposite side of the fence, if you are looking to get a DAW that is bundled with an interface. The essential questions here are whether you plan to record any audio into your computer and whether you have speakers or headphones your average computer can’t handle? If the answer to either question is yes, then you will need an audio interface or at the very least benefit from having one. Revelations Vol.Should you buy an audio interface right away?
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It is 100% royalty free and can be used as a base for your upcoming tracks or as an educational and inspirational tool. It includes the full arrangement with MIDI data, instrument presets, mixing and leveling, FX chains, and automation. The project uses two VST / AU instruments : Sylenth1 and Massive. This template showcases his lush progressive sound. Revelations Volume 9 is a progressive template for Ableton Live, crafted by talented sound designer Insight. Revelations Vol.9 Insight Ableton Live Template SYNTHiC4TE | | 26.5 MB
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